Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ìàëåíüêàÿ êîìåäèÿ íðàâîâ — 2000 (Èçó÷àåì èíîñòðàííûå ÿçûêè)

Êíèãà ðàññ÷èòàíà íà øèðîêèé êðóã ÷èòàòåëåé, èçó÷àþùèõ àíãëèéñêèé ÿçûê. Êàæäàÿ ñòðàíèöà òåêñòà ñíàáæåíà ïîñòðàíè÷íûì ñëîâàðåì è êîììåíòàðèåì, à òàêæå ïåðåâîäîì ðàçëè÷íûõ ëåêñè÷åñêèõ è ãðàììàòè÷åñêèõ òðóäíîñòåé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Greene G., A Burnt-out Case — 1981 (Penguin Books)

Querry, f world-famous acchitect, is the victim of a terrible attack of indifference: he no longer finds meaning in art or pleasure in life

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Greene G., The Ministry of Fear — 1983

For Arthur Rowe, the trip to the charity fete was a joyful step back into adolescence, a chance to forget the nightmare of the blitz and the aching guilt of having mercifully murdered his sick wife. He was surviving alone, aside from the war, until he happened to guess both the true and the false weight of the cake. From that moment, he finds himself ruthlessly hunted, the quarry of malign and shadowy forces, from which he endeavors to escape with a mind that remains obstinately out of focus.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Greene G., A Burnt-out Case — 1983

When Querry, a world-famous architect, finds he no longer enjoys life or takes pleasure in art he sets off on a voyage. Arriving anonymously at a leper colony in the Congo, he is diagnosed as the mental equivalent of a 'burnt-out case', a leper mutilated by disease and amputation. Querry slowly moves towards a cure, his mind getting clearer as he works for the colony. However, in the heat of the tropics, no relationship with a married woman, however blameless, will ever be taken as innocent.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ëèâåðãàíò À.ß., The Book of English Humour — 1990

Àíãëèÿ-ñòðàíà,ïîðîäèâøàÿ âåëèêóþ ïëåÿäó þðèñòîâ, êëàññèêîâ ìèðîâîé ëèòåðàòóðû.Òðàäèöèè,çàëîæåííûå Øåêñïèðîì,Ôèëäèíãîì,Ñòåðíîì,Äèêêåíñîì,ïðîäîëæàþò è ðàçâèâàþò àíãëèéñêèå þìîðèñòû XIX-XX ñòîëåòèé:Äæåðîì Ê.Äæåðîì, Ã.Ê.×åñòåðòîí, Õ.Áåëëîê, Äæ.Ìèêåø è äðóãèå, ñ òâîð÷åñòâîì êîòîðûõ è ïîçíàêîìèò äàííûé ñáîðíèê.Èçäàíèå ïðåäíàçíà÷åíî êàê âëàäåþùèì àíãëèéñêèì ÿçûêîì, òàê è èçó÷àþùèì åãî

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Greene G., Brighton Rock — 1977

Pinkie, a boy gangster in the pre-war Brighton underworld, is a Catholic dedicated to evil and damnation. In a dark setting of double-crossing and razor slashes, his ambitions and hatreds are horribly fulfilled...until Ida determines to convinct him for murder. But Pinkie, on the run from her pursuing futy, becomes even more dangerous...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Greene G., The Power and the Glory — 1983

In a poor, remote section of Southern Mexico, the paramilitary group, the Red Shirts have taken control. God has been outlawed, and the priests have been systematically hunted down and killed. Now, the last priest is on the run. Too human for heroism, too humble for martyrdom, the nameless little worldly whiskey priest is nevertheless impelled toward his squalid Calvary as much by his own compassion for humanity as by the efforts of his pursuers.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Greene G., Loser Takes All — 1983

Bertram is not a believer in luck. An unambitious accountant, his plans for his second marriage are typically quiet: St. Luke s then two weeks in Bournemouth. But he comes to the attention of Dreuther, the director of his company, who changes Bertram—s plans for him: wedding and honeymoon in Monte Carlo, on board his private yacht. Inevitably Bertram visits the casino, and loses. But then his system starts working, and his trouble really begins.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Greene G., Doctor Fischer of Geneva or the Bomb Party — 1981

When the notorious toothpaste millionaire decides to hold his own deadly version of the Book of Revelations, Greene opens up a powerful vision of the limitless greed of the rich; black comedy and painful satire combine in a totally compelling novel.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé ëèòåðàòóðå ÕÕ âåêà — 1985

Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

English Short Stories of the 20th Century. 1900-1950 — 1988

 ñîñòàâ ñáîðíèêà âêëþ÷åíû ëó÷øèå îáðàçöû íîâåëëèñòè÷åñêîãî íàñëåäèÿ êëàññèêîâ àíãëèéñêîé ëèòåðàòóðû 20 âåêà. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíûìè ñòàòüÿìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Stories by Modern English Authors — 1961

Ñáîðíèå ðàññêàçîâ ñîâðåìåííûõ àíãëèéñêèõ ïèñàòåëåé ïðåäíàçíà÷àåòñÿ äëÿ ñòóäåíòîâ ñòàðøèõ êóðñîâ ÿçûêîâûõ âóçîâ è ôàêóëüòåòîâ â êà÷åñòâå ìàòåðèàëà äëÿ ÷òåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Greene G., The Quiet American — 1968

Graham Greene s classic exploration of love, innocence, and morality in Vietnam. I never knew a man who had better motives for all the trouble he caused, Graham Greene s narrator Fowler remarks of Alden Pyle, the eponymous Quiet American of what is perhaps the most controversial novel of his career. Pyle is the brash young idealist sent out by Washington on a mysterious mission to Saigon, where the French Army struggles against the Vietminh guerrillas. As young Pyle s well-intentioned policies blunder into bloodshed, Fowler, a seasoned and cynical British reporter, finds it impossible to stand safely aside as an observer. But Fowler s motives for intervening are suspect, both to the police and himself, for Pyle has stolen Fowler's beautiful Vietnamese mistress. Originally published in 1956 and twice adapted to film, The Quiet American remains a terrifiying and prescient portrait of innocence at large. This Graham Greene Centennial Edition includes a new introductory essay by Robert Stone.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Greene G., The Comedians — 1977

Three men meet on a ship bound for Haiti. Hiding behind their actors— masks, they hesitate on the edge of life — afraid of love, afraid of pain, afraid of fear itself.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Greene G., Our Man in Havana — 1980

First published in 1959, Our Man in Havana is an espionage thriller, a penetrating character study, and a political satire that still resonates today. Conceived as one of Graham Greene's 'entertainments,' it tells of MI6's man in Havana, Wormold, a former vacuum-cleaner salesman turned reluctant secret agent out of economic necessity. To keep his job, he files bogus reports based on Lamb's Tales from Shakespeare and dreams up military installations from vacuum-cleaner designs. Then his stories start coming disturbingly true.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Greene G., Our Man in Havana — 1977

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Greene G., Travels with my aunt. english modern prose — 2011 (Modern Prose)

Ïðåäëàãàåìûé âíèìàíèþ ÷èòàòåëåé ðîìàí çíàìåíèòîãî àíãëèéñêîãî ïèñàòåëÿ Ãðýìà Ãðèíà (1904-1991). Ïîëíûé íåàäàïòèðîâàííûé òåêñò ðîìàíà ñíàáæåí êîììåíòàðèÿìè è ñëîâàðåì. Äëÿ ñòóäåíòîâ ÿçûêîâûõ âóçîâ è âñåõ ëþáèòåëåé àíãëèéñêîé ëèòåðàòóðû.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ó÷åáíîå ïîñîáèå ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2011

Ïîñîáèå çíàêîìèò ñ îñíîâíûìè ÿâëåíèÿìè àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû. Ïîñîáèå ñîäåðæèò áèîãðàôè÷åñêèå ñâåäåíèÿ îá àâòîðå, àíàëèç òâîð÷åñòâà è îòðûâêè èç ïðîèçâåäåíèé. Ïîñîáèå ðàññ÷èòàíî íà ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, êîëëåäæåé. Ñòóäåíòîâ âûñøèõ ó÷åáíûõ çàâåäåíèé, ó÷èòåëåé è ïðåïîäàâàòåëåé, à òàêæå øèðîêèé êðóã ëèö, ñàìîñòîÿòåëüíî èçó÷àþùèõ àíãëèéñêèé ÿçûê.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Greene G., The Heart of the Matter — 1969 (The Modern Novel Series)

Scobie is a principled police officer in a war-torn West African state. When he is passed over for promotion he is forced to borrow money to send his despairing wife away on a holiday. In her absence he falls in love with Helen and his life is transformed by the experience.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of Modern British Short Stories — 2011

The short story has become one of the major forms of modern literary expression - in some ways the most modern of them all'. The story of the British short story since the Second World War is one of change and revolution and this powerful and moving collection brilliantly demonstrates the evolution of the form. Containing thirty-four of the most widely regarded postwar British writers, it features tales of love and crime, comedy and the supernatural, the traditional as well as the experimental. This many-storied, many-splendored collection is a brilliant portrait of the generation of writers who have immediately influenced the brightest, sharpest and most intriguing writers who continue to emerge today

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ